Knowledge List of Oil Painting

Nude Body Painting

from:paintingtechnique
Written by staff writer

Artistic Experience Nude Body Painting
When a person chooses to have his or her body painted it is known as nude body painting and is unlike tattooing since it is a temporary event and is painted on the human skin to last for several hours or in some cases, for a few weeks. Traditional body painting began with clay and natural pigments and were generally found in most indigenous cultures and used for rituals and still survives among the aborigines of Australia and in the Pacific Islands as well as in tribes of Africa.
In India, there is a semi-permanent form of body painting known as Mehndi that makes use of dyes made of henna and is practiced for painting brides in India as well as in the Middle East. The recent recognition of Mehndi has grown since the late 1990s and is now much sought after by young women in the Western world. Also, body painting is extensively used in dramatics with actors and also, clowns having their faces as also their bodies painted.
Nude body painting has seen a resurgence ever since the 1960s and this may be attributed to the more permissiveness of social mores with regard to nudity and debates rage hotly about whether nude body painting is legitimate art form or not. It may be understood to have been revived around 1933 when Max Factor body-painted a famous model with their new make-up formula that targeted Hollywood films, primarily. There is nothing however to insist on that body painting need be only performed on nude bodies as it may also be concentrated to small designs on a certain area of the body.
Nude Body Painting Festivals
At present, this style of painting bodies is becoming very popular amongst both professionals as well as amateurs and there are nude body painting festivals supported annually across the world that brings together impressive body painters, both professional as well as novices. Football matches, rave parties, and particular festivals are also occasions for an individual or enthusiastic supporter to get nude body painting done on them. The World BodyPainting Festival is held at Seeboden in Austria and is the biggest art event that attracts thousands of tourists.
Also, the famous 1960s supermodel, Veruschka has been called a favorite of impressive body painters and her images in the book Transfigurations that has her photographed by photographer Holger Trulzsch have been widely copied. In addition, ever since the 1990s, nude body painting is become more acceptable to Americans and famous body painters include Playboy's Mark Frazier, Robert Johnson from dvnc-arts and Leroy Roper of Leroytoper.com.

Landscape in Oil Painting can Capture you Favorite Spot

from:oilpaintingtechniquesonline

There’s nothing like looking at an oil painting of a beautiful landscape, such as the rolling hills or the waves breaking along the ocean. A brilliant landscape portrait will bring back memories of a special place of give you the illusion that you are right there in the painting. Capturing this feeling is something that many artists take a lifetime to accomplish.
As an artist you want to portrait to your viewer a look of realism as if they were right inside your picture. You want it to be both breathtaking and mesmerizing. In order to do this there are a few tricks that you need to master. Using clarity is a must. You might want to add some fog that is thick over the hills in the distance and fades as you move towards the front of the picture. Or put in a winding path that makes your viewer feel like he could take a walk on the trail that you have created. Another trick is to put things in proportion. If a tree is up close, it should be large, if it is far away, the tree should be smaller. You want things to seem real.
You also have to realize that when you are painting a landscaping you do not have to put everything you see in the picture. Feel free to add things that you see or things that you don’t see. If you want to add a bird, than add a bird. If you don’t like the colors of the flowers, than by all means change them to suit your needs, you might want to add clouds to the sky, or make the day sunny instead of rainy, it’s entirely up to you, you’re doing the painting.
The thing with landscape oil paintings is that you want to capture the feel of your surroundings, if you painted it exactly as you saw it, you would call it a photograph not a painting.
Many artists like to paint on location; it gives them a feel of the area they are painting and helps them to capture the lighting as it changes throughout the day. A good way to get a feel for your painting is to start out by drawing your landscaping first and then go over it with the paints. Some artists have a hard time with painting clouds. Because clouds are three dimensional and reflect light, catching all the colors to give them realism is not always easy.
When adding clouds to your landscape its best give more detail to the clouds that are closer, when they are further away they will have less detail and be smaller in size. When you paint the edges of the clouds remember that smooth edges recede and sharp edges advance.
Your landscape in oil painting should be a reflection of how you perceive a favorite place in your life. You want people to wish they were there or take them back to memories of their own.

Color Theory Lesson: Complementary Colors

FROM:portraityourlife

The complementary color of a primary color (red, blue, or yellow) is the color you get by mixing the other two primary colors. So the complementary color of red is green, of blue is orange, and of yellow is purple.
What About Secondary Colors?
The complementary of a secondary color is the primary color that wasn't used to make it. So the complementary color of green is red, of orange is blue, and of purple is yellow.
Why are Complementary Colors Important in Color Theory?
When placed next to each other, complementary colors make each other appear brighter, more intense. The shadow of an object will also contain its complementary color, for example the shadow of a green apple will contain some red.
How am I Going to Remember This?
The color triangle as (shown above) makes it easy to remember: the three primary colors are in the corners.
The complementary color of a primary color (red, blue, or yellow) is the color you get by mixing the other two primary colors. So the complementary color of red is green, of blue is orange, and of yellow is purple.
What About Secondary Colors?
The complementary of a secondary color is the primary color that wasn't used to make it. So the complementary color of green is red, of orange is blue, and of purple is yellow.
Why are Complementary Colors Important in Color Theory?
When placed next to each other, complementary colors make each other appear brighter, more intense. The shadow of an object will also contain its complementary color, for example the shadow of a green creation tone and emulsion stuff will contain some red.
How am I Going to Remember This?
The color triangle as (shown above) makes it easy to remember: the three primary colors are in the corners. The color you get by mixing two primaries is between them (red and yellow make orange; red and blue make purple; yellow and blue make green). The complementary color of a primary color is copy point and classicality opposite it (green is the complementary of red, orange for blue, and purple for yellow).
Print out Color Mixing Triangle Worksheet and paint it in. It may seem like a simple exercise, hardly worth spending time on, but it's the first step in a fundamental painting skill -- successful color mixing. Put it up on the wall where you can see it at a glance until you've internalized which colors are primaries, secondaries, tertiaries, and complementaries.
What Happens if You Mix Complementary Colors?
If you mix complementary colors with one another, you get a tertiary color, particularly oil protrail and painting from the photo (rather than grays).

The Oil Painting Knowledge Introduction (31)

from:portraityourlife

The oil painting has experienced several different developing period: the ancient, the medieval, the renaissance, the mannerism, the baroque, the neoclassicism, the romanticism, the academism, the realism and the modern time. The paintings of different times, as are dominated by art idea and limited by techniques of different age, appear style.

The historical background decided the realism of oil painting in its initial developing stage. In the European Renaissance Movement of 15th century, the Humanism which was against the religion, actively pay more attention to the social reality. Many artists in order to break away from the single Classical Christian theme, they began to observe and describe the people, landscape and objects in daily life, and added the secular factor into the religion painting. Some artists` paintings are completely the reflection of the real life. The artists of Renaissance inherited the art idea of Roman and Greece which emphasized not only in depicting an event in the works but also disclosed cause end effect of the event. Thus the art technique of conceiving typical plot and building obvious image were formed. At the same time, the artist also had an exploration in application the knowledge of the anatomy and perspective for oil painting as well as the effect of the light and shade to oil painting thus creates the scientific sculpting theory. The anatomy made the character of the oil painting be exact and real in proportion, form and structure. The foreshortened figure helps the composition of the picture a sense of depth space. The objects in painting can be the same as the true object in the vision. The shading unified all the objects under a main lamp-house and forms the clear layers from near to far on the painting. The humanistic art theme and its pursue for the reality in the image-building can` t be expressed completely in other kind of painting for the limitation of the tools, while oil painting tools can be fully competent for that. Thus the oil painting was the highly true-life products took by long time to make.

The classical oil painting was on a whole a comprehensive application of the oil painting language and other factors. The artists in different period showed different emphasis on factors, which results the different oil painting style. The Renaissance Italian artist paid attention to the application of shadow. The objects in the dark side were all under the shadow. The light was in the appropriate transition to shade, so the painting became concentrative and turbid. Virgin of the Rocks done by Leonardo Da Vinci was just the kind of style, while at the same period the Netherlands artists syllabify depicted the every detail of the painting. They used the color difference between the objects while not the transition from light to shade. The Annunciation by Robert Campin (1378?a1444) was displayed particularity of all the goods indoor and outdoor. The Italian Titian was the first person who makes emphasis on the painting color. He always worked the dark side and always used the different bright colors in the same light to construct the magnificent golden tone. The repetition of the transparent oil layers, the thin and thick brush stroke, connected the color and the objects naturally and created the quality painting.

The 17th Century witnessed the fast development of the European oil paintings. The artists of different countries and regions explored differently on the oil painting language according to their social living background and people temperament. Oil paintings could be classified by the theme into history, religion tale, collective portrait, and personal portrait, landscape, still life and genre painting and so on. The oil painting techniques were rich and different schools come into being.
Some of the 17th century oil paintings made stress on the light of oil painting. They applied the contrast between cool color and warm color, light and shade, thick layer and thin layer to the creation of a sense of light in order to make the dramatic result on the painting .The Italian artist Caravaggio broke his order and harmony in light effect of his former oil paintings and intensified the light and shade contrast in the painting. He usually used large area of the dark background to foil the bright figure on the foreground so that the glare of the light can be reflected from his painting.

The Spanish Artist E1 Greco usually made his objects under the spotted light and shade on his painting. His image building was not from the complete light or shade, but from the disconnected distribution of the light and shade. The warm color and cold color were also disconnected. His brushwork was heavy. The color layers melted and penetrated by pushing each other. All brought a complicated and confusing result on the painting. Sometimes the result even can be mysterious and nervous. The Holland artist Rembrandt also used the sense of light as one kind of technique to express the mental state of the people on his painting. In most of his portrait paintings, the characters were all involved in the dark. Only the face and hand and other important parts for expression were in light. He applied the imperturbable color on the multi-layers in scumble in dark place to create the profound effect and in light place he used thick painting and piling colors by painting knife to create the sense of massive quantity. At the same time, the brushwork was also explored by many artists. The brushwork is an artist` s distinctive technique of applying painting with a brush on canvas. For the early oil paintings, the same thick paint layers and the even strength of oil protrail and painting from the photo makes no signs of brushwork. In 17th Century, it was discovered that the movement of the brushwork was driven by the artist` s mood and emotion. The artist would bear the sensibility which could control the trends of the brushwork when painting. The brushwork ,or light, or heavy, or relaxed or urgent together with its direction will not only outline the live image but also indicate copy point and classicality art of the brushwork.. The Flemish Artist Peter Paul Rubens used the big strokes by the subtle bright color in most his jumbo works. The lines according to shape of figure, the strokes of freedom and curves bring the result of violent movement of posture and the histrionic conflict of the story plots, while the Netherlandish artist F. Hals uses the flexible and springy brush stroke to depict the portrait. His portrait features in the vividness of the expression of the charater, which fits for his preference in creation for creation tone and emulsion stuff and heroic character. Antoher Netherlandish artist Johannes Vermeer is good at using the brush strokes as thin and round as the pearls to depict the people in door and his painting looks silent and warm.