Knowledge List of Oil Painting

Oil Painting for Beginners, What you need to get Started

from:oilpaintingtechniquesonline

If you’re a beginner at oil painting your first trip to the art store can be a bit overwhelming. There are so many different types of paints, brushes, and canvases to choose from. It’s hard to know what you really need, what you can do without, and what is completely unnecessary. You probably don’t want to invest a lot of money until you know that oil painting is something you want to do for a long period of time, so here are some things you might want to know if you’re a beginner at oil painting.
Brushes- You can’t paint without brushes. Brushes range in a wide variety of shapes, sizes, and prices. You have round brushes, flat brushes, pointed brushes, slanted brushes, fan brushes, and single hair brushes. Depending on the price of the brush, the more expensive brushes will not lose their bristle as quickly. To start out with its best to purchase a few variations of flat brushes and a few variations of round brushes. You brushes will change depending on the type of oil paintings you will be doings such as, portraits, landscapes, etc… The more you become experienced at oil painting the more you will be able to tell what brushes you will need for the type of painting you will be doing. You will also want to purchase a good brush cleaning kit; leaving paint in your brush can shorten the life of your brushes.
There are many different varieties and prices where oil paints are concerned. Different brands such as Winsor &Newton and Grumbacher Artist Oils are two brands that are quite poplar today. You can find paints that come in both professional and student grade. The professional grade paints are a bit more vibrant than the student grade paints. While you can purchase the lesser expensive paints, (student grade) you will find that there is definitely a difference between the professional and student grades. Most people find that after using the professional grade oil paints they do not use the student grade paints anymore.
You should also have a palette and colors of oil paints to begin your oil painting. Your palette can be made out of wood, plastic, glass, or even paper. You want it easy to hold, mix colors, and easy to clean. Here are some of the colors that you might like to use and are great to get started with; Yellow Ochre, Cadmium Yellow Light, Cadmium Orange, Cadmium Red Light, Raw Sienna, Burnt Sienna, Burnt Umber, Sap Green, Alizarin Crimson, Thalo Blue, Titanium White, and Ivory Black.
You also need and easel to hold your oil paintings while you paint, and a canvas to paint your oil painting on. There are different types of canvas such as wood, linen, and paper to choose from. You will also need mediums for you oil paintings. This could be poppy oil are linseed. The mediums help to lighten and darken the oil paints. It’s really personal preference to what kind of mediums you would like to use.

Bob Ross Oil Painting Gallery and “The Joy of Painting”

from:oilpaintingtechniquesonline

Bob Ross has been painting abstract oil paintings for over the last 40 years. He has been a leading advocate of abstract figurative painting in this area for the past 40 years. His currently has a show at the Gallery of the Senses featuring some of his recent works, the centerpiece is a wall-sized oil painting called "Vibrato at the Grotto". The painting's displays various shapes that turn around a realistic rendering of jazz saxophonist Eric Dolphy. Ross technique is displayed by allowing the painting to dissolve into pulsing riffs of paint, some are parallel, and some depute into squiggles. A waterfall of vertical stripes descends on the left framing an unpolished, central area. The painting is in transition, display a look of strong, rhetorical enclaves each dominating over sections of the work, you might find this piece similar in heart to Picasso's "Demoiselles d'Avignon."
You will notice that many of Ross’s paintings display diversity, but true to his trademark, Ross's signature brushwork is always apparent in his paintings. His painting called the small "Alicia 1" is a picture of a curled up nude on a low, red platform. The painting is done with multicolor brush striations, made by vigorous movement, sometimes compared to Van Gogh's, dance and link across her body. You will notice a pair of legs and a shortened sofa placed into the upper right hand portion of the canvas, redolent of the nude paintings of Philip Pearlstein.
The painting that he is most known for is the Max Beckmannish "Elena Standing," a painting done in acrylic, displays a model wearing a blue slip, which happens to be the main subject, the model is engrossed on inspecting her left toe, her leg is propped up on the arm of a sofa, in a room surrounded by representations of Ross's artworks. This painting will wow you on many levels: the exuburent brushing of the model is shown in contrast by the slashing exactness of a Japanese brush drawing of a nude on a panel upon whose wall is yet another Ross drawing. It's like taking a tour in which Ross tantalizes you with a glimpse into different openings, different possibilities of his wonderful paintings. You are even granted a quick glimpse of a profile of a bearded gent with a top hat that evokes Lautrec.
Bob Ross is best known for his development of a simple oil painting technique in a language that is easy for everyone to understand, along with a wide range of paints and brushes that are meant to enable everyone who has the desire to be able to paint. Known as a softly spoken American artist, he has encouraged millions of people to pick up a brush and paint for the first time through his popular TV series called “The Joy of Painting”.
If you’re interested in learning to paint with Bob Ross you can find his show, Monday to Friday, on the Discovery Real Time and Discovery Real Time Extra channels.

Choosing a Subject to Draw

from:buddingartist

Draw Drawing Subject Choosing Still Life Image
When starting out many people find it difficult even to choose a subject to draw. This is of course not so important if the beginner artist is attending a regular class. However, even if this is the case the decision will one day have to be made on what to draw. Commonly, people are often told to draw objects that inspire them, and respond by attempting to draw a stack of CD’s, some clothes or some characters from a computer game! These subjects do not possibly present the best challenge and for this reason we will consider some other subjects that may be good to draw.
Good Subjects to Draw
There are many easily found subjects around the home to draw. One must remember early on that the aim is to choose objects to draw that may help to develop skills. A selection of widely varying items for a still life composition may in this case be suitable. Try, for example, fruit, nuts, fake fur, bottles, leaves, lit candles, meats and so on. Alternatively try drawing a family member or objects in your garden (trees and plants, etc.). Outside the home street scenes and landscapes can be drawn. Cars and bikes can also be challenging, and make a good drawing exercise. Drawing passers by can also be a good challenge, as it requires a speedy awareness of the passing of time.
Once you have drawn many scenes for the sake of exercise it will then be worth tailoring subjects more to suit your taste. Personal stylistic factors, fashion preferences and social attitudes can be bought into your artworks. It must be cautioned, however, that these are best introduced in a subtle way. It is well worth taking into account that much of what we see in the way of popular media culture is directly influenced by the Fine Arts, and for this reason your interests can be explored by drawing comparison with master artists from the past.
For example, those interested in rapidly advancing computer technology may wish to look to the Futurist movement to see how they dealt with rapidly advancing technology in Europe at the turn of the 20th Century. In doing this, for example, your subject can be treated within the wider framework of art history, giving it more credibility.
If you are interested in fashion it is well worth looking to the work of Picasso and Matisse, who have greatly influenced print designs. If interested in social politics or Feminist issues, you can look to how Diego Rivera (1886-1957) and Frida Kahlo (1907-1954) addressed these issues.
By looking at how past artists have incorporated subject matter into their work you will be able to better choose your subject to convey your personal sense of taste. Once you have done this you can combine your new subject with the skills you have learned from earlier landscape and still-life exercises. In this way you can make sure that your pictures combine various elements of tone, line, colour and form within them whilst reflecting your personality.

How to Decide What Paint to Use

from:portraityourlife

One of the very first decisions you must make when you start painting is what sort of paint to use. creation toneThis Q&A will help you decide between the most commonly used paints: oils, acrylics, watercolors, and pastels. Or take the quiz: Painting Personality Quiz: What Paint Should You Use?
Are these the only types of paint available?
No, acrylics, oils, and watercolors are the mostly widely used. Pastels and watercolor pencils are popular cross-over drawing/painting mediums; painterly effects can be achieved with them while retaining the immediacy of drawing.
Other painting media are gouache, tempera, and encaustic. Special paints are used for painting on silk or fabric, which are heat set (usually with an iron) to stop them washing out.
What are the advantages of each?
Acrylics: Dries very fast. Mixed with water or mediums/gels. Brushes cleaned with water. Once dried, can be overpainted without disturbing underlying layers. emulsion stuff Can be used thickly (impasto), like oils, or in thin washes, like watercolor. Water-resistant, so good for murals. Works as a glue, so good for collages.
Oils: Dries slowly, allowing plenty of time to work and to blend colors. Once dried, can be overpainted without disturbing underlying layers. Rich, deep colors which maintain their intensity when dry. copy point Can be used thickly or in thin, smooth glazes. Then there's the status factor, oils being what the Old Masters used. (Take the quiz: Acrylics or Oils? to help you decide.)
Watercolors: Mixed with water and brushes cleaned with water. Paint can be lifted off by rewetting. classicality If paint squeezed from a tube has dried, it becomes reusable if you add water. This is, afterall, the state pans or blocks of watercolor come in (see How To Choose Between Pan and Tube Watercolors).
Pastels: There's no waiting for pastels to dry. Colors are mixed on the paper, not on a palette, by overlaying or blending them (see Basic Techniques for Pastels). A wide range of colors are available. No brushes to clean. Easy to use outside the studio. Oil-based pastels can be thinned and blended with turpentine, or scrapped off to reveal colors underneath, known as sgraffito.
What are the disadvantages of each?
Acrylics: Dries very fast, though working time can be increased by adding retarding medium to paint or spraying water on a painting. Completely waterproof once dried, so cannot be removed by rewetting the paint. Difficult to remove from a brush if it's dried in it. oil protrail Except when used in thin washes, colors dry a bit darker than when applied.
Oils: Mixed with solvents and oils, so need to work in a well-ventilated area. Slow-drying, so consider working on several paintings at once. Have to wait several months to ensure a painting is dry before it can be varnished. Brushes need to be cleaned with white spirit or similar solvent. Water-based oils are produced by several paint manufacturers.
Watercolors: Being quite transparent, it's hard to rectify or hide mistakes in a watercolor painting. Need to allow for colours being lighter once they've dried than how they appeared when you painted. There is no white paint in watercolor; the white comes from the paper you're painting on.
Pastels: Usually requires a greater range of colours to create a picture than for other media. Different brands and pigments vary in softness. painting from the photo Soft pastel works tend to be liable to smudging and the pastel coming off the support. This can be prevented by using a spray-on fixative, taping a piece of tracing paper over it, or framing it with a mount that keeps it away from the glass.
What other things should I consider when deciding what paint to use?
Cost: Watercolors are the cheapest to set yourself up with; all you need buy is a set of basic colors, a brush or two of different sizes, some paper, plus a board and brown gummed tape if you intend to stretch the paper.
Poison hazards: If you've small children, you may not want to have the solvents used in oil painting lying around. Some people are also allergic to the solvents – low-odour versions are available, as are water-based oil paints. Soft pastels can product a lot of dust; be careful to minimise the amount you inhale. For example, don't blow on your work to remove loose pastel. Poisonous pigments, such as Cadmium red, are usually available as a non-toxic hue (not that any paint is made to be eaten!).
Before You Buy: Take a look at these tips on buying acrylic, oil, watercolor, and pastel painting supplies.
How can I be sure I've chosen the right paint?
You can't, not until you've tried it out. You'll soon discover whether you enjoy working with it and the results, or not. If you like different things about different paints, you could mix them – then you'll be working in what's called mixed media. If there's an art college near you, see if they offer an introductory course on a particular medium. You get to try the paint among other novices and will learn basic skills. It may also provide you with a contact for cheaper art materials.