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Pietro Perugino
Italian Renaissance painter, draftsman & illuminator
born circa 1445 - died 1523
Born in: Città della Pieve (Perugia, Umbria, Italy).
Died in: Fontignano (Perugia, Umbria, Italy).

Also known as: Pedro Perugeno, Pierre Pérugin, Pietro Perugini, Pedro Perugino, Pietro da Perugia, Pedro Peruggino, Pietro Pérugin, Pietro di Cristoforo di Vannucci Perugino, Pietro Vannucci Perugino, Pedro Perujeno, Pietro di Cristoforo Vannucci.


Student of: Andrea del Verrocchio (1435-1488).
Teacher of: Raphael (1483-1520).
Collaborated with: Bernardino Pinturicchio (c.1454-1513) from 1450 to 1523.

PERUGINO, PIETRO (1446-1524), whose correct family name was VANNUCCI, Italian painter, was born in 1446 at Citta della Pieve in Umbria, and belongs to the Umbrian school of painting. The name of Perugino came to him from Perugia, the chief city of the neighborhood. Pietro was one of several children born to Cristoforo Vannucci, a member of a respectable family settled at Citta della Pieve. Though respectable, they seem to have been poor, or else, for some reason or other, to have left Pietro uncared for at the opening of his career. Before he had completed his ninth year the boy was articled to a master, a painter at Perugia. Who this may have been is very uncertain; the painter is spoken of as wholly mediocre, but sympathetic for the great things in his art. Benedetto Bonfigli [BIO] is generally surmised; if he is rejected as being above mediocrity, either Fiorenzo di Lorenzo or Niccolo da Foligno may possibly have been the man. Pietro painted a little at Arezzo; thence he went to the headquarters of art, Florence, and frequented the famous Brancacci Chapel in the church of the Carmine. It appears to be sufficiently established that he studied in the atelier of Andrea del Verrocchio, where Leonardo de Vinci was also a pupil. He may have learned perspective, in which he particularly excelled for that period of art, from Piero de Franceschi. The date of this first Florentine sojourn is by no means settled; some authorities incline to make it as early as 1470. while others, with perhaps better reason, postpone it till 1479. Pietro at this time was extremely poor; he had no bed, but slept on a chest for many months, and, bent upon making his way, resolutely denied himself every creature comfort.

View artworks’ titles of oil painting old master  Perugino Pietro Italy 1445-1523

0 Christ between the Baptist and the Satan Disguised as an Old Man 1507 8 
0 Christ in his Glory 1507 8 
0 Fortitude and Temperance with Six Antique Heroes 1497 
0 God the Creator and Angels 1507 8 
0 Madonna in Glory with the Child and Saints 1595 6 
0 Prudence and Justice with Six Antique Wisemen 1497 
0 St Augustin Polyptych The Presepio 1506 10 
0 The Almighty with Prophets and Sybils 1500 
0 The Ascension of Christ  supply oil paintings Italy reproduction Perugino Pietro
0 The ceiling with four medallions 1507 8 
0 The Family of the Madonna 1500 2 
0 The Holy Trinity and the Apostles 1507 8 
0 The Presepio 1498 
0 Trinity and Six Saints 1521 
4Perugino Mary Magdalen 
4 Madonna with Child 1501 
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4 Self Portrait c150 
4 St Nicholas of Tolentino 1507  supply oil paintings Italy reproduction Perugino Pietro
4 The Almighty with Prophets and Sybils 1500 detail1 
4 The Almighty with Prophets and Sybils 1500 detail2 
5 Madonna an Angel and Little St John Adoring the Child (Madonna del sacco) 1495
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5 Madonna with Child and Little St John 1497 
5 Madonna with Child and Little St John 1505 10 
5 The Presepio 1498 detail1 
6 Madonna with Saints Adoring the Child 1503  supply oil paintings Italy reproduction Perugino Pietro
7 The Transfiguration 1498 
8 Madonna and Child with Four Saints (Tezi Altarpiece) 1500 
 

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